Jon Voight & Sean McNamara Talk Dangerous Game The Legacy Murders - Interview HEAD TOPICS

Jon Voight & Sean McNamara Talk Dangerous Game The Legacy Murders

10/21/2022 11:12:00 PM

Interview: Jon Voight & Sean McNamara Talk Dangerous Game The Legacy Murders

Dangerous Game The Legacy Murders Interview

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Interview : Jon Voight & Sean McNamara Talk Dangerous Game: The Legacy Murders ComingSoon Editor-in-Chief Tyler Treese spoke to Dangerous Game: The Legacy Murders director Sean McNamara and star Jon Voight about the horror mystery. Dangerous Game: The Legacy Murders Digital Code Giveaway for Jon Voight-Led ThrillerTyler Treese: Jon, Ellison’s family dynamic is really interesting in the film. He’s this self-made billionaire, but he has a strained relationship with some of his children. A lot of it is over the family business, and we learn a lot about his past throughout the film. What really appealed to you about this character? Sean McNamara: You see how happy he is talking about this film? And this is a scary film. This is scary to have made and scary to watch. You can’t be faint of heart to watch this film. But the other thing about it, I’ve told other people, I said, Well, you know, but, but couples will go and there’s always one that will be a little timid and they’ll be scared of what they’re watching and scream and shout and the other one will say, Oh, no dear, it’s just fine. And it brings people together. Read more:
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The BBC has taken a swipe at outgoing UK Prime Minister Liz Truss — with a little help from Rihanna. Read more >> Hard pass on this guy Will look later, but does Jon Voight have “Bonkers to English“ subtitles? Would really help understand him.😜🤪 Interview: Elizabeth Lail on the Themes of Mack & Rita and Voice ActingComingSoon Editor-in-Chief Tyler Treese spoke with Elizabeth Lail, who plays Mack in this year's comedy film Mack & Rita. The Good Nurse Director Talks Focusing on Heroes Instead of Serial KillerComingSoon Editor-in-Chief Tyler Treese spoke with Tobias Lindholm, who directed the upcoming crime drama The Good Nurse. Pilar Guzmán Talks All Things Oprah WinfreyMaking the move was an easy decision for Guzmán, who said Oprah's brand has been a guiding light in her many incarnations as an editor. Letters to the Editor: Oct. 20Letters to the Editor for Oct. 20 Blackmagic's powerful DaVinci Resolve video editor is coming to iPad EngadgetBlackmagic Design is bringing it's popular DaVinci Resolve video editing app to the iPad, promising support for RAW, cloud collaboration and more,. uh oh LumaTouch It’s how there is still no Final Cut Pro for the iPad. Maybe this will compel Apple to release it. Considering the iPad pro literally has an M1 chip. It will work better than even some laptops Letters to the Editor: Oct. 21Letters to the Editor for Oct. 21 ComingSoon Editor-in-Chief Tyler Treese spoke to Dangerous Game: The Legacy Murders director Sean McNamara and star Jon Voight about the horror mystery film, which is out today in select theaters and digitally.October 20, 2022 (Photo by Michael Kovac/Getty Images for NeueHouse) ComingSoon Editor-in-Chief Tyler Treese spoke with Elizabeth Lail, who plays Mack in this year’s comedy film Mack & Rita .(Photo by Remy Steiner/Getty Images for Netflix) ComingSoon Editor-in-Chief Tyler Treese spoke with Tobias Lindholm, who directed the upcoming crime drama The Good Nurse , which is based on the true crime book by Charles Graeber.They Are Wearing: Paris Fashion Week Spring 2023 In this newly created post, she will be in charge of content strategy for Oprah Daily’s digital, social, video and print platforms. Dangerous Game: The Legacy Murders Digital Code Giveaway for Jon Voight-Led Thriller “Jonathan Rhys Meyers and Academy Award Winner Jon Voight star in this nail-bitingly suspenseful thriller filled with twists and turns,” reads the film’s synopsis. “A family reunion at a remote mansion takes a lethal turn when they are trapped inside and forced to play a deadly survival game where only one will make it out alive. The film is now available digitally and on Blu-ray + Digital, DVD, and through video-on-demand from Lionsgate.” Tyler Treese: Jon, Ellison’s family dynamic is really interesting in the film. Tyler Treese: One thing I found interesting about the film is that the viewer can have two different experiences, depending on if they know the real-life story. He’s this self-made billionaire, but he has a strained relationship with some of his children. “The frustrated writer and influencer magically transforms into her future self: ‘Aunt Rita. A lot of it is over the family business, and we learn a lot about his past throughout the film. With Cookie, it was not just capital ‘P’ parenting, but treating the mother, the whole woman and the whole person. What really appealed to you about this character? Jon Voight : Well, I must say I resisted this film initially because I had never done anything like this before. A sparkling comedy with a magical twist, Mack & Rita celebrates being true to yourself at any age. There are so many great ones out there. This is like a reincarnation of Vincent Price or something, and I was scared to do it, actually. But Sean McNamara, the great director, Sean McNamara, who does lovely family films, and I’ve done a couple with him, was salivating to do this film, and I was pressured to go along with him [laughs]. I love the theme of self-expression and sort of defying age norms and just being true to yourself. Sean, what do you have to say for yourself? Sean McNamara : I don’t know. Right now, there’s a wave of true crime stories. I just, again, we’ve done family films together and this is, in a way, a family film. I mean, from the moment I read the script, I think I cried and I was like, “This is exactly what I needed to hear at this moment.3 million monthly users and a social following of 4. It just has a very different outcome by the end of it [laughs]. Voight : You see how happy he is talking about this film? And this is a scary film. I resonated with … Mack really hides herself; she hides what she wants, what she needs, what she loves, in order to be easy and accommodating and fit in. The biggest challenge was to just have faith that that was enough. This is scary to have made and scary to watch. You can’t be faint of heart to watch this film. And just the idea that the more true you can be to yourself, the more you allow yourself to be every part of you, and not just the parts you think people wanna see, the more your whole world opens up. But the other thing about it, I’ve told other people, I said, Well, you know, but, but couples will go and there’s always one that will be a little timid and they’ll be scared of what they’re watching and scream and shout and the other one will say, Oh, no dear, it’s just fine. People are so fascinated by serial killers, so it was interesting that Amy is at the forefront. “The thing I find so exciting about this brand and this moment is that the world has finally caught up to all of these messages that Oprah has espoused forever. And it brings people together. It’s a lesson, I think I’ll probably have to go back and watch it again and again as I get older and older because I think it just will forever continue to be a lesson I need to learn. Yeah. Sean, there’s some disgusting scenes in this movie. What really impressed me is that the film doesn’t really work if you and Diane Keaton aren’t really giving off the same energy, but you really do. How important was it to show that portrayal of a real loving mother? When I read about Amy [for] the first time, she reminded me of my mother. What’s your approach to just filming gore and just making it unsettling? Cause it definitely is. McNamara : Well, like Jon, this is the first time I’ve ever done anything like this, this type of movie. Well, I basically just studied Diane. “To have come from Conde Nast, where we were speaking to a specific audience, and to be able to broaden that reach is something that I am happy to return to. And I found it amazing because, you know, the artists that do this sort of stuff, I grew up on the same block as John Chambers, who won the Academy Award for Planet of the Apes , and I used to go in his garage and there were these faces, like the one from Jaws. She would struggle so much. It scared the hell outta me just going into his garage. And obviously, in the beginning of the movie, even though they are the same, Mack, in the beginning, is a lot more closed off, and not quite as expressive or shining her light. But when all of a sudden I met all of the artists on this show that we could do things that I’d never done before, the artisans just made me so passionate. We can do this, we can do that. They would send me the dailies of the scenes from the movie and I would just keep checking back with Katie [Aselton], our director, and we would think of hand gestures and “isms” that she has that we could sprinkle out throughout my performance. If you talk to the real Amy, that friendship was real. I love just getting into it to going, “How do we make this look real, this very scary moment?” Jon, you also acted in a wheelchair in Coming Home. In regards to acting, are there any difficulties that come with having your movement, restricted? No. No big deal. I’ve done it before, so I’m comfortable with it. That, for me, was the most important thing to focus on. I’ve done it twice before, once with Pearl Harbor when I played President Roosevelt. That’s awesome. But it’s my little machine weapon in this piece. I enjoyed it, I enjoyed the movement of it. Oh my goodness, she’s so incredible. He has charming moments. It was a dangerous thing, I must tell you that, that piece that we had was like over a ton. It was really heavy because it had these capacities to move up and down, it was all electric and weaponized, not to give too much away. She’s the most present actor I think I’ve ever seen. It was fun to work with this and get used to it after the first day. That is the scary part. You’re part of it. Every moment is spontaneous, and that’s exactly right, she’s just having a ball while she’s doing it. Definitely. Sean, H. I hope to turn into her one day for real. The interrogation scene with Eddie was so wild.H. Holmes’ Murder Castle is a big inspiration here. How was she as a scene partner? Because you really exuded that energy of best friends. What did you like about this story combining real history with fiction? McNamara : Well, that’s one of the greatest things, because I’ve done a lot of historical characters and real-life things. So he didn’t really tell me what he had in mind, and I didn’t really tell him what I had in mind. And then to mix both of that with fiction, and the subject matter that’s going on is very scary just because it was drawn from real life. Well, Taylour’s so soulful and open and warm as a person, and we get to work nice and early in the morning and it’s just us girls in the makeup trailer. But we were able to take it further by weaving it into fiction and bringing it into the present day. It’s a very scary history that this movie has. You’re playing music, you’re talking about what each other’s signs are, you’re talking about your love life.” So when he finally started to use that at the end of the scene and the “I can’t” rhythm that he grows into, you know, I was very impressed with that. Jon, you have some really intense scenes with Jonathan Rhys Myers. How was it working with him as a scene partner? Voight : I was so excited to work with him. And so when we were working together, it was just fun, easy, and hopefully true. I mean, he’s an actor that has a great reputation, and he’s wonderful in this set.” Then he looked down again and went back into the darkness. He’s very generous with other actors. How fun was that element and kind of being twins with Diane with the outfits. He’s got a lot going on, he’s a very intense actor. I had heard his reputation, you know, glowing reports of his work, and I found that to be true with me too. Oh, oh, it was surreal. I was very impressed with his work, and I had a lot of fun working with him, to the extent that I did another film afterward with him, that’s gonna be coming out as well. But yeah, he’s the real thing. And so I would get to wear, you know, her jeans that she’s probably wearing today right now. And other actors talk about him, it’s wonderful the way they describe him because he’s so intense. He’s very prepared. I can’t believe I can even fit into these jeans [laugh]. He’s a real artist and he comes from a family of artists, his father was a musician, and he’s a great musician. He’s a great guitar player, and he’s a singer. So I’ve gotta work on channeling her confidence and energy. And he’s got multiple talents, but he’s the real deal. Sean, the ending is really great. I love that. It’s surprisingly very dark. Was that always the planned ending for this film? McNamara : I think what happens is all of us collectively got together, the actors, and we were just having fun kicking around ideas to one-up it. How did that come about? Elizabeth Lail: Oh, that was so fun. Like we’ve seen other movies and we just love a great scare. And we were saying, How do we take it just one beat further and still make it believable? And that’s what we would do. That was the first time I did any voiceover, and I just had a blast. And like I said, I’d wake up having my coffee every morning, and Jon would just look at me and go, “You’re sick, You’re sick.” And I go, “I have no idea. [laugh] Are you looking to do more voice acting in the future? Oh, I’d love to.” I don’t mean to be sick, but it was just fun to invent that stuff. Voight : Everything else he said, I disagree with, but he is sick. I think it looks like hard work, but I listen to Jeremy Irons do an audiobook and I’m just like, “Gosh, he’s good. Jon. Another performance that really impressed me was Will Sasso because he is so well known for his comedy. We’ll put that out into the world, and let’s see it happen. Can you speak to that? Voight : Right. Well, everyone in this piece was terrific. Yeah, thank you. It’s a great ensemble work, and Will Saso, he’s the delight of the trailer when he does that little joke. So you see, he has a comedy aspect, but it’s well woven into his character. It’s remarkable. He’s a great actor and he did a wonderful performance. Sean, Megan Charpentier does such a great job in this movie as well. He’s the exact opposite of that character. Can I just get your thoughts on just, she seems like she has such a bright career, and she really has a star-making performance here. McNamara : Yes. I always would joke with Penn because, he plays that role so effortlessly, even though it’s so far from him. I will crawl over glass to work with that young actress again. She is so talented and brought that understated elegance to the role that I was so unprepared for. Awesome. And again, when I met her and just saw her level of talent, it just blew me away. But when we were shooting the scene, you know, when you’re seeing it in real time, I was just like, drawn into the monitor, just watching her performance. What really stood out about working with her? You know what was crazy, actually, now that you bring it up. We’re gonna see a lot more of her. Voight . And I just remember thinking that was one of the most beautiful things any director has done for me.