Meet N J director Henry Selick a stop-motion wizard who joined Jordan Peele for a trip to hell @River HEAD TOPICS
Meet N J director Henry Selick a stop-motion wizard who joined Jordan Peele for a trip to hell
10/21/2022 5:30:00 PM Meet N J director Henry Selick a stop-motion wizard who joined Jordan Peele for a trip to hell
@River
Source njdotcom
Meet N J director Henry Selick a stop-motion wizard who joined Jordan Peele for a trip to hell The Netflix movie is Selick's first film since the Oscar-nominated 'Coraline' more than 13 years ago. But Peele and Selick wanted the story to fixate on Kat and the profound guilt she feels about her parents, not the prison.Get OutJemal Countess Getty ImagesGet OutJersey haunts, Southern ghost storiesHis mother would encourage him to go “toss the ball” outside. The SopranosHenry Selick in 2009, when his last film, "Coraline," was released (the director is pictured with the character). Before Selick started working on "Wendell & Wild," he saw another of his film projects shut down.But Selick fed his macabre side in a place far beyond the pines of the Jersey Devil and local wiseguy territory. Read more:
njdotcom » ‘Nope’ Announces Streaming Debut Keegan-Michael Key On Reuniting With Jordan Peele After Key & Peele Jordan Peele’s Nope is coming to Peacock next month N.J. mom doesn’t believe U.S. Navy about son’s ‘Hell Week’ death Police 4 officers struck by car in Queens suspects in custody
Four officers have been injured after being struck by a stolen car in Queens Thursday night. Read more >> ‘Nope’ Announces Streaming DebutJordan Peele’s latest horror hit is coming soon to streaming. Keegan-Michael Key On Reuniting With Jordan Peele After Key & PeeleKeegan-Michael Key has a wholesome report of what it's like to work with longtime collaborator Jordan Peele on the upcoming movie WendellAndWild: 'It's like you had a dance partner for years and years and years.' Jordan Peele’s Nope is coming to Peacock next monthA new Jordan Peele movie? Nope. Nope. N.J. mom doesn’t believe U.S. Navy about son’s ‘Hell Week’ deathRegina Mullen says the Navy is deflecting the issue with a focus on PEDs. A’s catcher Sean Murphy named Gold Glove finalistMurphy is joined in the AL catchers’ race by Cal Raleigh of the division rival Seattle Mariners and Jose Trevino of the Yankees. ) — who wears a Trumpish toupee — has put its stamp all over the depressed town.my review I said.Keegan-Michael Key opens up about returning to work with his longtime comedic partner Jordan Peele for their upcoming stop-motion fantasy movie Wendell & Wild.Oct 21, 2022, 10:28 AM UTC Keke Palmer, Daniel Kaluuya, and Steven Yeun star in Nope. The Klaxons scheme to open a private prison and capitalize on the school-to-prison pipeline. “I wanted the villains to always be people, not the monsters,” Selick says.. In crafting a character like Kat with a history in juvenile detention, Selick drew on his wife Heather Selick’s experience as an advocate for special education students and at-risk youth. Key and Peele will voice the titular characters, two demons dead-set on escaping the underworld by exploiting a cursed but powerful 13-year-old girl named Kat (Lyric Ross). He wanted to show how “one strike and you’re out” policies push children into a system that is “basically adult prison for kids as young as 8 years old,” he says. Here is a director with stuff to say and images he wants to put out into the world — along with the talent and eye to bring them to life. But Peele and Selick wanted the story to fixate on Kat and the profound guilt she feels about her parents, not the prison. “Jordan, in his infinite wisdom, always knew how much of a strong element like that is too much, and how to dial it back,” Selick says. The guy has the goods and he knows it. The project is quarterbacked by director Henry Selick, who established his style as a blend of horror and comedy with his 2009 film Coraline. “He’s kind of like the tone master.” However, just before “ Get Out ” premiered, Peele was nervous about how his directorial debut would fare. Only someone with supreme confidence in his work would name his movie Nope. Fearing what would happen if the movie bombed, he became anxious to find a home for “Wendell & Wild. However, Key explains the two have shared life experiences that transcend the work.” Jordan Peele and Henry Selick at the "Wendell & Wild" premiere at the Toronto International Film Festival in September. That won’t be a problem here; once the science-fiction story gets cooking, practically every new scene reveals an image of beauty or nightmarish terror — or both. Peele worked with Selick to change the focus of his original story from a demon fighter to a teen "hell maiden." Jemal Countess Getty Images “I just said, ‘Well, that’s not how it works,’” Selick says.. “‘Just be cool. I bet your film will do just fine, and then we’ll see what happens.’” “ Get Out ” (2017), of course, proved to be Peele’s breakout hit, grossing $176 million in the United States and $255 million worldwide on a budget of $4.. 5 million. He won the Oscar for best original screenplay in 2018, becoming the first Black recipient of the award and the first Black nominee for writing, directing and producing in the same year (and just the third person after Warren Beatty and James L. Brooks to achieve the feat for a directorial debut). It was just locking those pieces in again. As demand spiked for Peele’s talents, the writers and producers found a home for their demon brothers and hell maiden at Netflix. Jersey haunts, Southern ghost stories “Wendell & Wild” examines childhood trauma, but also the enduring bonds of family and importance of self-expression. Growing up in Rumson, Selick was “that weird kid that’s drawing all the time,” he says. He'll be bringing his experience as the horror movie director who brought the era-defining films Get Out, Us, and Nope to life. His mother would encourage him to go “toss the ball” outside. Selick was raised in the Shore town on the Navesink River with the legend of the Jersey Devil and whispers about the mob — aka “why’s that garbage man driving the new purple Cadillac every year?” Ever since “ The Sopranos ” became a cultural phenomenon, he’s noticed how the people he grew up with have leaned into stylized Jersey accents akin to Tony and Carmela. “Everywhere’s got their myths and realities,” Selick says. For his part, Key has enjoyed success as the comedic relief on live-action dramedies, starring in Friends From College and the new series Reboot. “New Jersey, it’s strong medicine. It’s not a gentle state.” Henry Selick in 2009, when his last film, "Coraline," was released (the director is pictured with the character). Wendell & Wild looks to be a cross-genre, multi-medium Halloween hit, and could step up as the next animated classic produced in-house by Netflix. Before Selick started working on "Wendell & Wild," he saw another of his film projects shut down. Spencer Weiner Los Angeles Times via Getty Images One part of “Wendell & Wild” reads like a fictionalized local news story, involving a plot to raise town council members from the dead so they can vote for the construction of the Klaxons’ prison. There’s even a character named Governor Bribes. But Selick fed his macabre side in a place far beyond the pines of the Jersey Devil and local wiseguy territory. “A lot of my imagination and sense of storytelling and spooky stuff comes directly from my mother, who’s actually from the Deep South,” he says. “We would go down there to visit my strange, wonderful relatives every summer till I was 16 in Alabama. And they had the best ghost storytellers ever.” In the movie, Wendell and Wild need to drum up support for their Dream Faire “bemusement park. ” As it stands, they’re confined to the underworld, residing in the nostrils of their father, a huge demon named Buffalo Belzer ( Ving Rhames ). They spend their days toiling in his Scream Faire, applying hair cream to his giant head. When the demons discover the cream can bring anything back to life, they have a proposal for Kat: Summon us to the Land of the Living, and we’ll resurrect your parents. Henry Selick, at right, on the set of "The Nightmare Before Christmas" (1993) with Tim Burton. Touchstone Pictures/Corbis via Getty Images When Selick was younger, the budding musician was faced with his own big choice. “I was torn between, ‘Do I stay in the band? Do I go back to art school?’” the alum of .