Jon Brion' s remarkable career from Magnolia to Meaningless Late Registration to Lady Bird - Greta Gerwig HEAD TOPICS

Jon Brion' s remarkable career from Magnolia to Meaningless Late Registration to Lady Bird

10/22/2022 8:16:00 PM

Producer extraordinaire Jon Brion on shaping music for the likes of Paul Thomas Anderson Greta Gerwig and Kanye West

Paul Thomas Anderson Greta Gerwig

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The A V Club

Producer extraordinaire Jon Brion on shaping music for the likes of Paul Thomas Anderson , Greta Gerwig and Kanye West Musician, producer and composer Jon Brion talks about creating soundtracks for Magnolia and Lady Bird , working with Kanye West , and his solo album, Meaningless AdvertisementAdvertisementEternal SunshineLaughs] And I had to tell Kanye, “You’re going to have to tell your people that we’re doing this.” But he came there to get some film strings—and in the end, we didn’t even end up doing much of that. He kind of forgot about it in the midst of the project. And I was going to put some strings on some things. And then he was like, “I don’t know if we need to do that.” And then close to the end of the record, he was like, “Yeah, there should be some.” So I hastily arranged a session and put them on before we mixed. Read more:
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This Roast Chicken with Hot Honey recipe gets its flavor from cardamom, raw honey, and orange peel. Get the recipe from Food & Wine. Read more >> She-Hulk Star Jon Bass Reacts to Marvel Backlash, Hulk Fan Theories (Exclusive)The season finale of She-Hulk: Attorney At Law was released one week ago on Disney+, and it was a [...] Texans’ Chris Moore full-go practice, Jon Greenard limitedTexans veteran wide receiver Chris Moore returned to practice Thursday morning, participating fully after missing a game against the Jacksonville Jaguars due to a hip injury. texans kprc2 click2houston housports htx She-Hulk's Jon Bass Shares His Reaction to 'Hulk Todd' (Exclusive)In honor of the finale of She-Hulk: Attorney At Law, ComicBook.com had the chance to catch up with [...] Did you tell him it was a bad idea? Injury report: Houston Texans rule out defensive end Jon Greenard; TE Brevin Jordan questionable at Las VegasTexans starting defensive end Jon Greenard has been ruled out for the second consecutive game. AaronWilson_NFL Jon Voight & Sean McNamara Talk Dangerous Game: The Legacy MurdersComingSoon Editor-in-Chief Tyler Treese spoke to Dangerous Game: The Legacy Murders director Sean McNamara and star Jon Voight about the horror mystery. Hard pass on this guy Will look later, but does Jon Voight have “Bonkers to English“ subtitles? Would really help understand him.😜🤪 Voight huh? Well, that’s a decision I guess. Sources: Texans placing Jon Greenard on injured reserveTexans starting defensive end Jon Greenard is being placed on injured reserve, according to league sources. AVC: The idea that Kanye West would recruit you to executive produce Late Registration was at the time a kind of unholy synergy of my interests as a hip-hop fan.The season finale of She-Hulk: Attorney At Law was released one week ago on Disney+, and it was a big hit among fans.This is a photo of Chris Moore of the Houston Texans NFL football team.In honor of the finale of She-Hulk: Attorney At Law, ComicBook. The string arrangements on “Gone” by themselves just make my heart swell. Advertisement Oh, that’s nice. Todd wanted his own Hulk powers and managed to steal some of Jen's blood and get his wish. I like that track. Moore didn’t practice Wednesday. AVC: You had certainly already been pioneering in your own use of sampling before then. This week, ComicBook.. While chatting with Bass, the actor told us what it was like to get to"Hulk out" in the MCU. .  "Yeah, it's been interesting, you know," Bass said when asked about his character being the physical manifestation of some of the show's real-life haters. He caught 21 passes for 227 yards and two touchdowns on 22 targets last season. Advertisement JB: You’re the only person who has ever said that to me, because I’ve I told people, before Kanye even came around, I don’t know why nobody necessarily hears that I’ve been trying to mix up those things in the influence of hip-hop, which for me didn’t mean trying to make something that sounds like hip-hop. What I really liked was the stuff that happened accidentally, especially during the first 10 years of hip-hop, where there were different eras of fidelity happening at the same time, and not because that’s what they were trying to do.. It’s just, here’s where I found a drum break. Defensive tackle Maliek Collins (knee), wide receiver Nico Collins (Achilles, wrist), defensive end Jerry Hughes (knee) and tight end Brevin Jordan were all upgraded to full participation. Oh, I want a horn line on the chorus.  I am playing a character named Todd. And, I'm still wrapping my head around the fact that it's actually real," Bass shared. And it would come in and it might not even be in the same key. And it would be from a seventies record, and the drums would be from a ’60s record. He's a very hateable character, and the internet has reacted as such. The former third-round draft pick from Michigan has been targeted 27 times, catching more than half his targets. And I found those combinations of different fidelity very inspiring. And there’s some stuff I’ve done that I was intentionally playing with that.' [laughs] And then there's the people who, you know, love the show, who love She-Hulk and are like, 'We want this guy dead. There’s stuff on the very first Aimee Mann record that was doing that. He has been designated for return from injured reserve, but hasn’t been activated.. Eternal Sunshine is absolutely that."  Bass added when asked about the wildest fan theory he read,"The wildest fan theory was, I think before it even got started that I was gonna be Hulk's son. My live gigs had a lot of that of mixing and matching, not only eras of style, but actual physical sounds. So I always wanted to do a hip-hop record and nobody asked.' [laughs] Kind of, but no. “You have to keep that in mind it’s his first game in a long period of time. When I got the call from Kanye, it’s because he heard film scores and his original intention was me doing strings. But then we met. In the comics, Skaar was created by Greg Pak and John Romita Jr.' [laughs] And then there's the people who, you know, love the show, who love She-Hulk and are like, 'We want this guy dead. He played stuff for me. He’s put in the time. And I started doing overdubs with him sitting there. He is the son of the Hulk and Caiera the Oldstrong, one of the Shadow People who colonized Sakaar. And I said, “Leave a couple of these tracks with me and come back tomorrow and we’ll listen. I’m gonna work on them tonight. The character had long hair on the page instead of the half-shaved look he's rocking in the She-Hulk finale. Eventually, that’s what he’ll be able to do.” He came back the next day and said, “Okay, this record is going to be great if you’re producing. and was one of the biggest characters to spin out of World War Hulk. ” [ Laughs ] So he didn’t know I necessarily even played any instruments.  0commentsShe-Hulk is now streaming on Disney+. He didn’t even know that I had produced other records.” Aaron Wilson is a contributor to KPRC 2 and  Copyright 2022 by KPRC Click2Houston - All rights reserved. It was only like a week or two into working that he discovered I was a record producer or a performer. None of those things were known to him. He wanted to have some film effect to his music.  0commentsShe-Hulk is now streaming on Disney+. And I just remember even the initial business calls to me going, “He must have really misunderstood. Kanye is a producer. This guy is making up stories or something.” [ Laughs ] And I had to tell Kanye, “You’re going to have to tell your people that we’re doing this.” But he came there to get some film strings—and in the end, we didn’t even end up doing much of that. He kind of forgot about it in the midst of the project. And I was going to put some strings on some things. And then he was like, “I don’t know if we need to do that.” And then close to the end of the record, he was like, “Yeah, there should be some.” So I hastily arranged a session and put them on before we mixed. Advertisement AVC: After having worked with artists who were themselves so singular, working with Charlie Kaufman, Michel Gondry, much less Paul Thomas Anderson, composing for Adam McKay’s comedies like Step Brothers seems like a departure from that. JB: I love funny movies. I watch comedies, I watch rom-coms. I think because the first few things were looked at well, and also those people—I’m not even saying know my contribution to it—I think people assume, “Oh, he does the art movies.” And I’m basically just a huge comedy fan. And I can do other things by virtue of being a human [ Laughs ], having, you know, kept my eyes open. “Lady Bird” by Jon Brion (Audio) AVC: When Lady Bird came out Greta Gerwig talked about wanting to work with you because she loved your earlier film scores. As people who respect your legacy want you to work with them because of that legacy, how tough is it to operate without a degree of self-consciousness to do something that isn’t, “This is what they think of me?” Advertisement JB: Usually you figure out in the course of working with somebody what it is they actually like. I also, in more recent years, have had people not say what it was they liked, for whatever reason—like they didn’t want to let on. Or people just have the weirdest trips about, A, doing creative work, or B, people being around seeing them while they’re doing it. But it’ll often come up once you’re into working on a project. Like oh, okay, I get it. You know this record and these two movies and that’s why you’re here. And it’s fine. I can be on to knowing where that is or somebody can say it. But all that does is put that person in the room. And even if I have awareness of what any given person is aiming at, really, there is the thing at hand—the film you’re working on, the record, the song. And in the end, you’ve just got to give yourself over to that and then try to give as much life to it as possible. Try to not obscure anything that’s already lovely. To me, those are the important parts of the job. So it doesn’t matter what got somebody there? Other than the fact of getting the job, it’s inconsequential to the job. Jon Brion - Ruin My Day AVC: Suffice it to say that the sound of rock music has changed—that music in general has changed. How easy or difficult has it been to adapt to that changing tide where there is a constant influx of Swedish producers and songwriters who are creating all of the pop music. Advertisement JB: That’s fine, as long as the melodies are good. They’ve had a lock on doing some rather hooky popular music—and I mean that in a good way. As far as things changing, that’s literally the law of the universe. And if when I started out, the point was I wanted to find different ways of going about things, then that hasn’t changed. And the way you’re posing the question, that doesn’t bug me. The part of it that does bug me has nothing to do with music or the music business. It has to do with the fact that in the world, thoughtlessness has been on the rise. People’s need to have their own voice raised and be seen and must put out their opinions of everything, and then react to the comments about their opinions, all of that is so not only desperately unattractive to me, it’s actually no help to all of us functioning together. And all any of the arts are—either the most arcane of them or the most popular ones—they’re all just a reflection of stuff going on in the environment and stuff going on in the individual artist. It’s only that. And at the moment, thoughtlessness is the bulk of the environment. And I think even the one and two dimensionality of especially popular music at the moment is an accurate reflection of the culture. I actually think music hasn’t changed that much. If anything, the shocking thing is how little creatively has been going on. It’s not like, oh, I got older and now these kids are just making noise. So, I guess, if I’m an offended old fogey who goes, what’s my place in this world? It’s because those things which are endemic in the culture, I’m not interested in chasing. And I’m not interested in watching it, listening to it. But in terms of living and working, I never saw the arts as a competitive thing. Like, you try to find something lovely. People like it or they don’t. That’s already profoundly weird by itself, and makes life awfully strange. Continue reading .