Taylor Swift Caught Between Yesterday and Tomorrow on Midnights Pop Rock Music - Taylor Swift HEAD TOPICS

Taylor Swift Caught Between Yesterday and Tomorrow on Midnights

10/21/2022 9:00:00 PM

Taylor Swift caught between yesterday and tomorrow on ' Midnights ' Read the NYT review

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New York Times Music

Taylor Swift , caught between yesterday and tomorrow on ' Midnights .' Read the NYT review. The singer-songwriter’s 10th studio album returns to the pop sound she left in 2019, and explores a familiar subject: how she is perceived, and how she perceives herself. — “Midnights” feels like a concession to an older, safer idea of Swift, full of songs that are capable and comfortable but often insufficient.Sometimes, those old modes serve her well. On “Karma,” a largely dim song with an aggressively plastic sound, there’s a twinkle in her voice toward the end when she exhales, “Karma’s a relaxing thought/Aren’t you envious that for you it’s not?” On the woozy “Question…?” she’s equally tart: “What’s that that I heard, that you’re still with her?/That’s nice, I’m sure that’s what’s suitable.” Read more:
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CNN News, delivered. Select from our newsletters below and enter your email to subscribe. Read more >> Justin Timberlake Wishes Jessica Biel a Happy 10th Anniversary in Sweet Tribute: ‘10 Years Ain’t Enough!’Justin Timberlake wished Jessica Biel a happy 10th wedding anniversary in a sweet tribute: '10 years ain’t enough!' 10 years of him cheating on her King & Queen Justin Timberlake Honors Jessica Biel on Milestone 10th AnniversaryBiel took to Instagram to share her own tribute to Timberlake in response! COTA hosts F1 US Grand Prix for 10th yearFor the 10th year, COTA is hosting the Formula 1 US Grand Prix, with thrilling racing, electrifying musical performances, the COTA Culinary Experience, off-track entertainment and more. Apple officially puts an end to the lightning port and the headphone jack on its iPadsThe vanilla iPad has finally transitioned to USB-C, in its 10th generation. Taylor Swift Drops ‘Midnights’ Teaser During Thursday Night Football, And It Looks Like a Lot of Music Videos Are ComingSwifties got a first look at the many ' Midnights Music Movies' on the way from Taylor Swift 's new TSmidnighTS album. The 10th. generation iPad is the first to have a landscape selfie camera - even though it should notThe camera placement comes at the expense of compatibility issues with the Apple Pencil. “Evermore” — “Midnights” feels like a concession to an older, safer idea of Swift, full of songs that are capable and comfortable but often insufficient.He also included a clip of the couple sharing a noodle Lady and the Tramp -style and a panoramic video “on top of the world” after reaching the peak of a mountain together.Justin Timberlake Shares Tribute to Jessica Biel on Milestone Anniversary: ’10 Years Ain’t Enough!’ By 4:57 PM PDT, October 19, 2022 This video is unavailable because we were unable to load a message from our sponsors.AUSTIN, Texas - Circuit of the Americas is welcoming back Formula One this weekend for the United States Grand Prix for the 10th year. Sometimes, those old modes serve her well. On “Karma,” a largely dim song with an aggressively plastic sound, there’s a twinkle in her voice toward the end when she exhales, “Karma’s a relaxing thought/Aren’t you envious that for you it’s not?” On the woozy “Question…?” she’s equally tart: “What’s that that I heard, that you’re still with her?/That’s nice, I’m sure that’s what’s suitable. 19, 2012, in Fasano, Italy.” But some of the lyrics can be lackluster and bluntly imagistic, with little of the detail that made Swift one of the signature pop songwriters of the 21st century: “Don’t put me in the basement/When I want the penthouse of your heart,” she sings on the metallic and tense “Bejeweled.” “Snow on the Beach,” a collaboration with fellow Great American Songwriter Lana Del Rey, begins with light Christmas music energy and never really ascends. Biel shared Timberlake’s tribute on her own , adding “10 years” with a red heart emoji. Del Rey excels at a kind of rumbling, oozy stasis — it’s like the ecstasy of being caught in a spider’s web — but Swift’s vocals are a mite too cheery to achieve the same effect. With endless entertainment options including 30 live bands, fan zones, and several villages to visit, guests are encouraged to arrive early and stay late for the fullest F1 experience. Perversely, though, much of the rest of “Midnights,” which was produced by Swift with her regular collaborator Jack Antonoff , constrains her voice. Throughout the album, on songs like “You’re On Your Own, Kid” and “Maroon,” Swift’s vocals are stacked together to the point of suffocation. Only on “Sweet Nothing,” the romantic playground lullaby Swift wrote with her longtime romantic partner, Joe Alwyn (the actor who uses the pen name William Bowery), does she approach her signature wide-eyed vulnerability. A couple of songs point a way out of the fog. The fleet, breezy and lightly damp “Lavender Haze” includes some sweet singing, though it feels overly reminiscent of the thumping digital folk of Maggie Rogers’s “Alaska. 21, four-time Grammy award-winning singer-songwriter Ed Sheeran on Saturday Oct. ” And the album’s high point is “Vigilante ____,” a slinky, moody electro-cabaret exhale about an antagonist that teems with narrative verve: “Draw the cat eye sharp enough to kill a man/You did some bad things but I’m the worst of them.” Here, Swift is leaning into the character version of herself — it’s funny, wry, slightly perturbing. Swift at her self-referential apex. Apart from her pandemic pivot to the bucolic, Swift has been devoting time to rerecordings of her old albums , an offshoot of the ownership battles spurred by the sale of her old masters. Such energy might be good for business, but bad for art. The event will also feature The American Soundtrack, a musical showcase of local talent on multiple stages throughout the COTA grounds. Perhaps similarly, “Midnights” by and large feels like a fuzzy Xerox of old accomplishments. (At 3 a.m. Friday, Swift released seven bonus tracks, which are comparatively chaotic. Of the new songs, only “Glitch” and “Would’ve, Could’ve, Should’ve” aren’t subtractive. 21. ) There is, perhaps, a slightly more cynical read to the sonic choices on “Midnights”: Swift hasn’t toured since 2018, after “Reputation.” The songs from “Lover” have never seen a big stage (and the songs from “Folklore” and “Evermore” largely weren’t designed for one). “Midnights” feels like a sonic place holder, with stadiums in mind. Which all prompts the question of where Swift might go as a midcareer pop star, if she were to pivot once more. Many of the other avenues currently open don’t apply to her — the emotionally icy nu-disco of Dua Lipa; a vocal and cultural flexibility that would allow her to freely collaborate with Latin or K-pop stars. COTA will be featuring its Culinary Experience again this year with unique food villages, each offering an incredible mix of the very best of Austin cuisine. There are songs on “Midnights” — “Midnight Rain,” “Lavender Haze” — that suggest an awareness of the ways Drake and the Weeknd have deployed overcast mood in their vocal and musical production, though she rarely commits. (There are also some not wholly cogent pitch-shifted vocals.) And she rather steadfastly has resisted a return to country, or pop-country, or country-pop. But a template for such a perspective-twisting album already exists: It’s called “Reputation,” and Swift released it in 2017. It was, at the time, somewhat derided, and deeply wrongly at that. Off-Track Experiences. Rarely has Swift sounded so amused, so aggrieved, so willing to reckon with the chasm between her self-perception and the perception of everyone else. It was a rowdy, sticky and unrelentingly clever album in which Swift took on herself, and also the world. “Taylor Swift” — bring her back. Taylor Swift .