Shakira and Ozuna s Breakup Bachata and 7 More New Songs Pop Rock Music - R&B HEAD TOPICS
Shakira and Ozuna s Breakup Bachata and 7 More New Songs
10/21/2022 6:45:00 PM Shakira and Ozuna s breakup bachata and 7 more new songs Hear the Playlist
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Source New York Times Music
Shakira and Ozuna ’s breakup bachata, and 7 more new songs. Hear the Playlist. Hear tracks by Caroline Polachek , John Cale featuring Weyes Blood , iLe and others. Caroline PolachekThe legendary John Cale — whose crucial contributions to the development of the Velvet Underground’s sound Todd Haynes refreshingly reasserted last year in hisNxWorries featuring H.E.R., ‘Where I Go’, his Grammy-winning alliance with Bruno Mars, back to an earlier collaboration: Nxworries, his project with the producer Knxledge, which released an album in 2016. In “Where I Go,” Anderson .Paak professes love, generosity and regrets for past affairs. But H.E.R. sings about lingering suspicions and, in the video, finds solid evidence; neither his blandishments nor the purr of an electric sitar can smooth things over. PARELES Read more:
New York Times Music » Listen Closely and You Might Hear Smino's Life in 10 Songs Within Each and Every Track Video: Hear when Larry Summers thinks the US will enter a recession CNN Business 1 in 3 admits their brain ‘shuts down’ when they hear or see the word ‘data’ Hear Me Out: These Sticky Skin Patches Got Rid of My 11 Lines Today in History October 21 Edison perfects electric light
Read more >> Listen Closely and You Might Hear Smino's Life in 10 Songs Within Each and Every Trackwith two weeks ’til his record drops, smino joined Rolling Stone Radio onamp to share his life in 10 songs, where it’s easy to see how specific elements from the rapper’s fave artists show up in his work ad Read more smino onamp This is worth taking note Video: Hear when Larry Summers thinks the US will enter a recession CNN BusinessFormer Treasury Secretary LHSummers tells CNN’s wolfblitzer why he believes it’s “more likely than not” the US will face a recession and shares his prediction of when it will happen. LHSummers wolfblitzer Bne honest, just say it, we’re in a recession now. LHSummers wolfblitzer CNN is trash! LHSummers wolfblitzer We're already in a recession and have been for the past 6 months 1 in 3 admits their brain ‘shuts down’ when they hear or see the word ‘data’1 in 3 admits their brain 'shuts down' when they hear or see the word 'data' Hear Me Out: These Sticky Skin Patches Got Rid of My 11 LinesThe 19 Best New Beauty Launches in October, According to Marie Claire Editors Op-Ed My challenge to men: Stand up against domestic violence amNewYork'There aren't enough of you taking a stand against domestic violence.' Brandi Glanville & Kenya Moore Trade Insults As They Refuse to Squash Beef at BravoCon 2022'I'm sorry, I can't hear you behind those duck lips' (via toofab) TooFab Kenya sat there fake from wig to toe nails so, erm, lets not be talking fake body parts. TooFab Kenyas real hair & this woman sells haircare products. Clearly they dont work. Ozuna , who was born in Puerto Rico to a Dominican father and a Puerto Rican mother, closer to his musical territory: a Dominican bachata, with staccato guitar arpeggios and flurries of bongos.How Farruko Became a Symbol of Self-Expression Smino started with modern heavyweights like Kanye West (“Addiction”), 2 Chainz (“K.Your CNN account Log in to your CNN account Most stock quote data provided by BATS.Software CEO arrested for stealing US election worker data, storing it on Chinese servers More than seven in 10 Americans suffer from “data dread,” according to a survey. As they trade verses, accusations emerge: he was a narcissist, she was distant, what was incredible turned routine. Bachata puts heartbreak at a distance by placing it within a neatly syncopated grid; both Shakira and Ozuna sing like they’ll get over it.”), and Lil Wayne (“Mo Fire”). JON PARELES Caroline Polachek, ‘Sunset’ Caroline Polachek to embrace — Rosalía’s influence, perhaps? — but her ever-gleaming vocals dance nimbly enough across “Sunset” to make the whole thing work. Factset: FactSet Research Systems Inc. “These days I wear my body like an uninvited guest,” she sings on the verse, her fleet-footed verbosity conveying a sense of itchy anxiety. Cooper asked if it’s because of the way Wayne blended reggae style into his tracks in particular, and Smino reminded everyone he’ll happily do that with past tracks like “Tequila Mockingbird” off Noir, . But that’s all resolved by the chorus, when Polachek’s vocal pacing suddenly slows, comforted by a romantic embrace: “He said, no regrets, ’cause you’re my sunset. Conducted by OnePoll and commissioned by DataCamp to raise awareness of data literacy as a fundamental skill, the study found a quarter also believe better data skills would give them better career opportunities and allow them to deal with bills better each month. ” LINDSAY ZOLADZ John Cale featuring Weyes Blood, ‘Story of Blood’ The legendary John Cale — whose crucial contributions to the development of the Velvet Underground’s sound Todd Haynes refreshingly reasserted last year in his documentary about the band — has long been a generous collaborator with younger artists at this later stage in his career. “[With ‘Mo Fire’], it’s the reggae vibe plus the lyrics, the shit is too cold. and its licensors. His forthcoming album “Mercy,” his first collection of new songs in a decade, continues that pattern, featuring contributions from Animal Collective, Sylvan Esso and Laurel Halo. The haunting “Story of Blood,” the first offering from “Mercy,” features bewitching vocals from the indie luminary Natalie Mering, who records as Weyes Blood.” But Lil Wayne’s larger than life persona and delivery is another stylistic element that grabbed Smino’s attention and found its way into his music. Across a patiently paced seven-minute reverie of synth chords and skittish electronic beats, their voices entwine balletically, as if locked in some kind of otherworldly dance. Standard & Poor’s and S&P are registered trademarks of Standard & Poor’s Financial Services LLC and Dow Jones is a registered trademark of Dow Jones Trademark Holdings LLC. ZOLADZ NxWorries featuring H. “It’s known that I love Andre 3000, like I love Stacks. Datacamp With 35% admitting that they rely on their friends, partner or family members to take on any data analysis they may need in daily life. E.R. I love Wayne.com., ‘Where I Go’ Anderson .Paak brings the plush nostalgia of Silk Sonic , his Grammy-winning alliance with Bruno Mars, back to an earlier collaboration: Nxworries, his project with the producer Knxledge, which released an album in 2016. You know what I’m saying—a little animated rapper that had bars,” Smino said. In “Where I Go,” Anderson . Datacamp Concerningly this could include reviewing mortgage rates, loan options or energy prices. Paak professes love, generosity and regrets for past affairs. And the rapper said he sees most comparisons as a bit of a crutch that people use when looking for easy listening comprehension, but he doesn’t hate this one. But H.E.’ The guy’s a legend, go ahead.R. sings about lingering suspicions and, in the video, finds solid evidence; neither his blandishments nor the purr of an electric sitar can smooth things over. He started by citing gospel heavyweight Kirk Franklin (“Up Above My Head”) as a songwriter to aspire to. It was conducted by market research company OnePoll, whose team members are members of the Market Research Society and have corporate membership to the American Association for Public Opinion Research (AAPOR) and the European Society for Opinion and Marketing Research (ESOMAR). PARELES Kelela, ‘Happy Ending’ “Washed Away.” Now, she embraces the beat with telling ambivalence in “Happy Ending. Franklin even does this thing where he doesn’t rap, but he gets off,” Smino said.” A double time breakbeat churns far below a vocal that starts out barely paying attention to the underlying propulsion. But as Kelela finds herself in a club and spots her ex, she latches onto the beat: “I won’t chase you but it’s not over,” she sings. Me and my band even rehearse this for fun. “If you don’t run away, could be a happy ending after all. ” Then they’re dancing together, and intertwined in a kiss. Louis legends, The Isley Brothers (“Footsteps in the Dark”), which prompted Smino to mention he’s got an upcoming track named in their honor and that he’d love to perform together someday. But the beat falls away, and the song leaves the situation entirely in suspense. PARELES iLe, ‘(Escapándome) de Mí’ Romance is often toxic in the songs on “Nacarile,” the new album by the Puerto Rican songwriter iLe . And he closed with a tasty Afrobeat pick from Ebo Taylor (“Conflict”). “Everything beautiful about you scares me,” she sings in “(Escapándome) de Mí” (“Escaping Myself”). “It scares me because I like it. “Monte [Booker, his producer] got me up on this. ” As the track builds around her, from a lone plucked guitar to an electronic citadel, she recognizes her own vulnerability, ponders it and takes the leap anyway. PARELES Okay Kaya, ‘Inside of a Plum’ The serene drift of “Inside of a Plum,” from Norwegian American indie artist Okay Kaya’s forthcoming album “SAP,” was inspired by doctor-administered ketamine therapy , which is sometimes used to treat depression. “This is actually how ’90 Proof’ came about—the groove ended up being flipped. That might sound heavy, but Kaya Wilkins’s characteristically wry approach gives the song an alluring weightlessness and even a sense of humor. There’s an amusing mundanity to the way she describes the procedure (“in a building.” Weigell and Cooper will be back at it Thursday, 10/20 when saxophonist-singer Masego joins them to share his Life in 10 Songs on another episode of Rolling Stone Radio (@rollingstone on Amp). in an office, in a chair under a weighted blanket”) and then a vivid psychedelia once her trip begins. Amid floating strings, Wilkins murmurs the song’s indelibly descriptive hook: “Now I’m scuba diving in space.” ZOLADZ Hagop Tchaparian, ‘Right to Riot’ Hagop Tchaparian is a British-Armenian musician whose tastes have led him from playing guitar in the grungy 1990s band Symposium to the electronic music on his new album, “Bolts.” Through the years, Tchaparian has also gathered recordings of performances — live and in video clips — of Armenian and Middle Eastern music and gatherings. The first sounds that leap out of “Right to Riot” are traditional: an aggressive six-beat drum pattern and the nasal, biting snarl of what Armenians call the zurna, a double-reed instrument used under various names across the Balkans, the Middle East, northern Africa and western Asia. Programmed beats, synthesizer swoops, bass drones and layers of percussion only make the track bristle more intensely. PARELES Advertisement .