Katie Grand Looks Back at Her Life in Tears and Tear Sheets HEAD TOPICS

Katie Grand Looks Back at Her Life in Tears and Tear Sheets

10/21/2022 4:05:00 PM

The stylist and editor discusses the process behind compiling her very first book and shares key memories from some of her favorite photo shoots

Source

W Magazine

Kate Moss, Gisele Bündchen, Kendall Jenner, and more supermodels grace the pages of “Tears and Tearsheets.” Here, stylist and editor kegrand discusses the process behind compiling her very first book. The stylist and editor discusses the process behind compiling her very first book and shares key memories from some of her favorite photo shoots Perfectmagazine—has worn many hats while simultaneously becoming one of the most influential fashion personalities in the world.Now, Grand is releasing a new book “Tears and Tearsheets,”which looks back on her extensive career. It’s a celebration of her work, collaborations, and a physical manifestation of why she’s still inspiring hordes of young fashion enthusiasts to this day. Below, the Leeds native discusses her process, and shares key memories from some of her favorite photo shoots. Read more:
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Now, Grand is releasing a new book “Tears and Tearsheets,” which looks back on her extensive career. It’s a celebration of her work, collaborations, and a physical manifestation of why she’s still inspiring hordes of young fashion enthusiasts to this day. on Oct. Below, the Leeds native discusses her process, and shares key memories from some of her favorite photo shoots. "I was sick to my stomach, bursting into tears. You’ve created some of the most iconic fashion magazine covers of all time—so how did you go about choosing this image of Bella Hadid shot by Harley Weir for the cover of your book, “Tears and Tearsheets”? It’s a reference to an old Norbert Schoerner shoot I did for The Face magazine around 2000. Upon their arrival, firemen found that two people were trapped in the basement of the home. When I did this shoot with Bella and Harley, there were a lot of references to my older work with the makeup artist Miranda Joyce. Back when we shot this image, maybe five years ago, Bella was still sort of new in the industry, so it felt like a nostalgic image—but not too nostalgic. Captain Chris Barry from Engine Company 290, with help from firefighter Ken Ternlund of Ladder Company 174, rescued the woman, who was brought to the front yard and was rendered aid by paramedics. "She came home for October break just last weekend, so that was amazing," Paltrow said. Do you consider yourself as a stylist at this point? When I was starting out, the title mattered more. I remember at one point being credited as wardrobe, and that was pretty awful [ laughs ]. Photo by Lloyd Mitchell Firefighters used three hose lines to knock down the main body of the fire, which was placed under control at 7:05 p. It’s so much more acceptable now, though, to be an art director, a fashion designer, and all these things. She's doing great. Whereas when I started getting recognition 25 years ago, you had to stay in your lane. The severely burned victim was rushed to Brookdale Hospital in critical condition. That was always quite frustrating. Nowadays, I don’t mind what my title is as much, because…I’ve done so much. It was noted by authorities that a dog died as a result as well. And this woman has made me the woman I am today more than anyone else. Lucy Wood Freeman by Rankin, Another Magazine 1993. Tearsheet included in Katie Grand’s Tears and Tearsheets, via IDEA. Photo by Lloyd Mitchell. “I remember this shoot pretty clearly. It was the night I asked Steve Mackey out on a date, so I was 25 years old. We shot this at city Farm and the model, whose name I can’t remember, was wearing Westwood. It’s from the pilot issue of Another which featured a sheep on the cover. I remember I was wearing a grey poloneck and an army jacket - there’s photos of me from this shoot somewhere.” Kate Moss by Juergen Teller, Dazed & Confused 1997. Tearsheet included in Katie Grand’s Tears and Tearsheets, via IDEA. “This shoot was shot right before Stella McCartney showed her first collection for Chloe in Paris. I’d been the first person to shoot her college collection for dazed so she let me have an exclusive on her Chloe collection. It was the first time I’d worked with Kate and I can’t really remember how Juergen came to shoot it but we met as his studio on talbot road in west London and he had wanted to shoot Kate from above with his converse clad feet in the picture” In the book, there’s an entire section dedicated to quotes from fellow industry veterans and friends alike. Kate Moss writes, “It can sometimes be torture, but the results are always worth it. ” What’s she talking about there? Obviously, getting these quotes was weird for me, it’s a bit like reading your own obituary [ laughs ]. At the end of the day, Kate is Kate Moss, so when you’re going to photograph her, you’re the most prepared you’ll ever be, because she’s been so heavily photographed and there’s a lot of competition in regards to creating a unique image of her. When I work with Kate I always have a specific character in mind, like when I had her become a smoking cat—literally, she was in a black latex suit smoking cigarettes. In the quote, though, she’s probably referencing the first time we ever worked together: It was a shoot with .