Get on Up Movie Review, Trailer, James 'Godfather of Soul' Brown Biopi... Movies for Grownups

James Brown Gets His Shine on ' Get On Up'

Chadwick Boseman portrays " Soul Brother No 1" in this summer' s hardest-working movie

Rating: PG-13 Run time: 2 hours 18 minutes Stars: Chadwick Boseman, Nelsan Ellis, Dan Aykroyd, Viola Davis, Octavia Spencer Director: Tate Taylor Musically explosive, emotionally powerful and flat-out funky, Get on Up tells the outrageous life story of with a quirky brilliance worthy of the man at its center. And if — last year's Jackie Robinson biopic — didn't convince you that Chadwick Boseman is one of the best young actors out there, his performance as Brown in Get on Up will have you sending testimonials to the Oscar folks. Universal Pictures Chadwick Boseman stars as James Brown in "Get on Up." The traditional trouble with film bios is their narrative predictability: Recent examples such as , and all start at the beginning and take us on a chronological guided tour of the subject's life, lingering now and then to examine pivotal events. In Get on Up, director and screenwriting brothers Jez and John-Henry Butterworth start with a late-life, apparently drug-addled James Brown wielding a shotgun before a room of terrified salespeople. He's as surprised as they are when he blows a hole in the ceiling, but the image is appropriate: For the next two hours we experience Brown's life in scattershot vignettes — a moment from his impoverished childhood here, a glimpse of him entertaining the troops in there, then a burst of brutality as he lashes out at a friend, employee or wife. AARP Members!

More James Brown

As the film progresses, though — and as Boseman's charismatic J.B. occasionally turns to address the audience — the film's apparent haphazardness begins to assemble itself into an elaborately coherent structure. A half-hour or so in, we realize we're experiencing James Brown's life from behind those sometimes piercing, often wild brown eyes — and from that perspective, life doesn't really happen chronologically. In the tangle of our own psyches, Get on Up proposes, the things that happen in our youth recur until we die, and our dreams of the future occupy our present. For the Brown, his childhood abandonment by his parents was still a vivid wound. And for the teenage Brown, in prison for stealing a suit, the worldwide fame he would achieve as an adult was already real, echoing in his ears with the sound of adoring crowds chanting his name. It's a tough premise to pull off cinematically, but director Taylor — whose sure-handed direction kept The Help from veering into sappy stereotype — proves himself up to the challenge. Boseman's James Brown is an endearing puzzle, shaped by his tragic childhood and cocky self-assurance. He is at the center of his own personal solar system, orbited by lovers, musicians and money men — many of them drawn less by affection than by the irresistible gravitational force of his genius.

Get Social With Bill

Check out and then on this year's best films Tweet This! Follow us Get on Up suggests that Brown had only two solid friends in his life: songwriter-sideman Bobby Byrd (, who should star in a biopic about ) and promoter Ben Bart (, in his most affecting screen role in years). Bart seems to have been the one guy who stood — even if it was temporarily — between Brown and utter financial ruin. Despite the film's innovative storytelling and Boseman's breakout performance, the real star of Get on Up remains James Brown himself. Boseman has the moves down, to be sure, and the musical staging is flawless. But Taylor has the supreme good sense to let the Godfather of Soul sing for himself on the soundtrack, allowing us to bask in the tsunami of petulance and pain that made his recordings so dynamic. If you're looking for the version of Brown's life, Get on Up will let you down. More or less absent here are the gifted singer's tumultuous love life, history of three (or four) marriages, multiple extramarital children, drug use, tax troubles and assorted armed assaults. But this is Brown's story the way Brown would have liked us to see it. The James Brown of Get on Up is easier to love than his real-life counterpart, but that historical liberty makes for a movie that shimmies, screams and mash-potatoes its way into your heart. You'll feel good — you knew that you would now! Bill Newcott is a writer, editor and movie critic for AARP Media.

Also of Interest br

Visit the for great deals and savings tips Featured AARP Member Benefits See more Entertainment offers > See more Entertainment offers > See more Entertainment offers > See more Entertainment offers > Cancel You are leaving AARP.org and going to the website of our trusted provider. The provider’s terms, conditions and policies apply. Please return to AARP.org to learn more about other benefits. Your email address is now confirmed. You'll start receiving the latest news, benefits, events, and programs related to AARP's mission to empower people to choose how they live as they age. You can also by updating your account at anytime. You will be asked to register or log in. Cancel Offer Details Disclosures

Close In the next 24 hours, you will receive an email to confirm your subscription to receive emails related to AARP volunteering. Once you confirm that subscription, you will regularly receive communications related to AARP volunteering. In the meantime, please feel free to search for ways to make a difference in your community at Javascript must be enabled to use this site. Please enable Javascript in your browser and try again.